I love when different fields overlap. My work is about sustainability and social impact. I've been diving deep into the world of sonic studies, discovering its power as a political instrument that shapes our society. The arts, environment, and politics are all intertwined for me.

Creating with purpose because our future matters.

Biorhythm (2019-today): study cycles of nature through multidisciplinary arts since 2019. Took on the role of curator in 2022. Based in Kyiv, Biorhythm is a space where content, environment, and art merge to create an experience of zero waste of life. Organizing audiovisual protests and radio broadcasts; and managing the financial aspects of projects, including the eco-festival for electronic music on Kinburn Spit (Biorhythm Festival).

Independent digital artist (2015-2020): collaboration with initiatives like United We Stream, Celestial, and Politychna Krytyka.

Financial Manager/ COO/ COS (2019-2025): working in sectors like football, news and media, non-profits, blockchain, creators economy and copyright protection. Some contributed projects are "Tears of War," ZenVentures' "Chasing the Peak," and MAUER.digital.

Speaker at Bitcoin and Radical Innovation (2023), discussing the role of DAOs in building democratic communities; Nuits Sonores Lab festival in Lyon (2024), featuring a takeover of Nuits Sonores Lab by Gasoline Radio, presenting Biorhyhtm case and discussing the intersection between the climate crisis and the artistic community under the theme "No Music on a Dead Planet,": "Ecological Intervention through Multidisciplinary Art and Media tools: The Role of Sound in Ecosystem Preservation".

—— yuliia (julia) shumishyna